0:00
The improvement in DJI models in low
0:02
light footage has been massive in the
0:04
last few years. And sadly, a dated entry
0:07
model like the Mini4K falls apart as the
0:10
small sensor with a narrow aperture is
0:13
unable to collect enough light. Very
0:16
high ISO value are needed to get some
0:18
information in the shadows. This
0:20
translate into loss of detail and
0:22
excessive noise. Shooting after sunset
0:25
should be avoided and this is a major
0:28
limitation of this model.
0:34
Under the same conditions, the fleet
0:36
yields astonishing results in part due
0:39
to the wide aperture of the lens.
0:51
The quality of the footage is so good
0:53
that it is often hard to believe it was
0:55
taken in very dark conditions.
